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	<id>https://thelemapedia.org/index.php?action=history&amp;feed=atom&amp;title=Wolfgang_von_Goethe</id>
	<title>Wolfgang von Goethe - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://thelemapedia.org/index.php?action=history&amp;feed=atom&amp;title=Wolfgang_von_Goethe"/>
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	<updated>2026-09-21T01:19:48Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://thelemapedia.org/index.php?title=Wolfgang_von_Goethe&amp;diff=8278&amp;oldid=prev</id>
		<title>Frater C.U.G.: spelling</title>
		<link rel="alternate" type="text/html" href="https://thelemapedia.org/index.php?title=Wolfgang_von_Goethe&amp;diff=8278&amp;oldid=prev"/>
		<updated>2005-08-07T06:43:53Z</updated>

		<summary type="html">&lt;p&gt;spelling&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:43, 7 August 2005&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot;&gt;Line 14:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 14:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The next work, his epic poem &amp;#039;&amp;#039;[[Faust]]&amp;#039;&amp;#039;, was to be completed in stages, and only published in its entirety after Goethe&amp;#039;s death. The first part was published in 1808 and created a sensation. Faust became the ur-myth of many figures in the 19th century. The basic plot of &amp;quot;selling one&amp;#039;s soul to the devil&amp;quot; for power over the physical world took on increasing importance and became a metaphor for the victory of technology and industrialism and its human cost. Goethe&amp;#039;s poetic work served as a model for an entire movement in German poetry termed &amp;#039;&amp;#039;Innerlichkeit&amp;#039;&amp;#039; (introversion). Goethe&amp;#039;s words inspired a number of compositions by, among others, Mozart, Beethoven, Schubert and Wolf.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The next work, his epic poem &amp;#039;&amp;#039;[[Faust]]&amp;#039;&amp;#039;, was to be completed in stages, and only published in its entirety after Goethe&amp;#039;s death. The first part was published in 1808 and created a sensation. Faust became the ur-myth of many figures in the 19th century. The basic plot of &amp;quot;selling one&amp;#039;s soul to the devil&amp;quot; for power over the physical world took on increasing importance and became a metaphor for the victory of technology and industrialism and its human cost. Goethe&amp;#039;s poetic work served as a model for an entire movement in German poetry termed &amp;#039;&amp;#039;Innerlichkeit&amp;#039;&amp;#039; (introversion). Goethe&amp;#039;s words inspired a number of compositions by, among others, Mozart, Beethoven, Schubert and Wolf.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Goethe&#039;s influence was dramatic because he understood that there was a transition in European sensibilities, an increasing focus on sense, on the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;indescribeable &lt;/del&gt;and the emotional. This is not to say that he was emotionalist or excessive; quite the contrary: he preached restraint and felt that excess was a disease. &quot;There is nothing worse than imagination without taste.&quot; He argued that law developed out of the depth of a people&#039;s culture and their connectedness to the land they live on, and therefore rational laws could not be imposed effectively from above: an interpretation that placed him in direct opposition to those who attempted to form &quot;enlightened&quot; monarchies based on &quot;rational&quot; laws, for example Joseph II of Austria or, later, Napoleon as emperor of France.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Goethe&#039;s influence was dramatic because he understood that there was a transition in European sensibilities, an increasing focus on sense, on the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;indescribable &lt;/ins&gt;and the emotional. This is not to say that he was emotionalist or excessive; quite the contrary: he preached restraint and felt that excess was a disease. &quot;There is nothing worse than imagination without taste.&quot; He argued that law developed out of the depth of a people&#039;s culture and their connectedness to the land they live on, and therefore rational laws could not be imposed effectively from above: an interpretation that placed him in direct opposition to those who attempted to form &quot;enlightened&quot; monarchies based on &quot;rational&quot; laws, for example Joseph II of Austria or, later, Napoleon as emperor of France.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This change would, in time, become the basis for 19th century thought—organic rather than geometrical, evolving rather than created, and based on sensibility and intuition, rather than on imposed order. This makes him, along with Adam Smith, Thomas Jefferson, and Ludwig van Beethoven a figure in both worlds. On one hand, devoted to the sense of taste, order and finely crafted detail which is the hallmark of the artistic sense of the [[Age of Reason]] and the neo-classical period of architecture, and on the other, seeking a personal, intuitive and personalized form of expression and polity, and believing firmly in self-regulating and organic systems. Philosophers such as [[Ralph Waldo Emerson]] would take up many of the same ideas in the 1800&amp;#039;s. His ideas on evolution would frame the question which [[Darwin]] and Wallace would provide the answers to.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This change would, in time, become the basis for 19th century thought—organic rather than geometrical, evolving rather than created, and based on sensibility and intuition, rather than on imposed order. This makes him, along with Adam Smith, Thomas Jefferson, and Ludwig van Beethoven a figure in both worlds. On one hand, devoted to the sense of taste, order and finely crafted detail which is the hallmark of the artistic sense of the [[Age of Reason]] and the neo-classical period of architecture, and on the other, seeking a personal, intuitive and personalized form of expression and polity, and believing firmly in self-regulating and organic systems. Philosophers such as [[Ralph Waldo Emerson]] would take up many of the same ideas in the 1800&amp;#039;s. His ideas on evolution would frame the question which [[Darwin]] and Wallace would provide the answers to.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Frater C.U.G.</name></author>
	</entry>
	<entry>
		<id>https://thelemapedia.org/index.php?title=Wolfgang_von_Goethe&amp;diff=5244&amp;oldid=prev</id>
		<title>Thiebes: added thelema stub, mentioned EGC sainthood, and added links</title>
		<link rel="alternate" type="text/html" href="https://thelemapedia.org/index.php?title=Wolfgang_von_Goethe&amp;diff=5244&amp;oldid=prev"/>
		<updated>2005-03-04T11:29:05Z</updated>

		<summary type="html">&lt;p&gt;added thelema stub, mentioned EGC sainthood, and added links&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:29, 4 March 2005&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Johann Wolfgang von Goethe&#039;&#039;&#039; (pronounced [&#039;gø&amp;amp;nbsp;t&amp;amp;#601;]) (August 28, 1749–March 22, 1832) was a German writer, humanist, scientist, and philosopher. As a writer, Goethe was one of the paramount figures of German literature and European Romanticism during and around the 18th and 19th century.  Goethe was the author of  &#039;&#039;Faust&#039;&#039; and &#039;&#039;Theory of Colors&#039;&#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{thelema}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Johann Wolfgang von Goethe&#039;&#039;&#039; (pronounced [&#039;gø&amp;amp;nbsp;t&amp;amp;#601;]) (August 28, 1749–March 22, 1832 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[EV]]&lt;/ins&gt;) was a German writer, humanist, scientist, and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;philosopher&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;. As a writer, Goethe was one of the paramount figures of German literature and European Romanticism during and around the 18th and 19th century.  Goethe was the author of  &#039;&#039;Faust&#039;&#039; and &#039;&#039;Theory of Colors&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. [[Aleister Crowley]] made Goethe a Saint in the [[Ecclesia Gnostica Catholica]]&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==His life==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==His life==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Goethe was born in Frankfurt am Main, Germany. His father was a man of means and position, and he personally supervised the early education of his son. The young Goethe studied at the universities of Leipzig and Strasbourg, and in 1772 entered upon the practice of law at Wetzlar. At the invitation of Karl August, Duke of Saxe-Weimar, he went in 1775 to live in Weimar, where he held a succession of political offices, becoming the Duke&amp;#039;s chief adviser. From 1786 to 1788 he traveled in Italy, and directed the ducal theater at Weimar. He took part in the wars against France, and in the following began a friendship with Friedrich Schiller, which lasted till the latter&amp;#039;s death in 1805. In 1806 he married Christiane Vulpius. From about 1794 he devoted himself chiefly to literature, and after a life of extraordinary productiveness died in Weimar.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Goethe was born in Frankfurt am Main, Germany. His father was a man of means and position, and he personally supervised the early education of his son. The young Goethe studied at the universities of Leipzig and Strasbourg, and in 1772 entered upon the practice of law at Wetzlar. At the invitation of Karl August, Duke of Saxe-Weimar, he went in 1775 to live in Weimar, where he held a succession of political offices, becoming the Duke&amp;#039;s chief adviser. From 1786 to 1788 he traveled in Italy, and directed the ducal theater at Weimar. He took part in the wars against France, and in the following began a friendship with Friedrich Schiller, which lasted till the latter&amp;#039;s death in 1805. In 1806 he married Christiane Vulpius. From about 1794 he devoted himself chiefly to literature, and after a life of extraordinary productiveness died in Weimar.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Historical Importance ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Historical Importance ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is difficult to overstate the importance of Goethe on the 19th century in this era. In many respects, he was the originator of—or at least the first to cogently express—many ideas which would, in time, become familiar. Goethe produced volumes of poetry, essays, criticism, and scientific work, including a theory of optics and early work on &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;evolution&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;linguistics&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;. He was fascinated by minerals and early mineralogy (the mineral goethite is named for him). As a philosopher and writer he is one of the key figures in the transition from the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Enlightenment&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Romanticism&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is difficult to overstate the importance of Goethe on the 19th century in this era. In many respects, he was the originator of—or at least the first to cogently express—many ideas which would, in time, become familiar. Goethe produced volumes of poetry, essays, criticism, and scientific work, including a theory of optics and early work on evolution and linguistics. He was fascinated by minerals and early mineralogy (the mineral goethite is named for him). As a philosopher and writer he is one of the key figures in the transition from the Enlightenment to Romanticism.  &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The following list of key works may give a sense of the scope of the impact his work had on his and our time.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The following list of key works may give a sense of the scope of the impact his work had on his and our time.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot;&gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The short epistolary novel, &amp;#039;&amp;#039;Die Leiden des jungen Werther&amp;#039;&amp;#039;, or &amp;#039;&amp;#039;The Sorrows of Young Werther&amp;#039;&amp;#039;, published in 1774 recounts an unhappy love affair that ends in suicide. Goethe admitted that he &amp;quot;shot his hero to save himself&amp;quot;. The novel remains in print in dozens of languages and is referenced frequently in the context of the young disaffected and moody hero &amp;amp;mdash; a Romeo figure. However, the form of the novel, and the ending in death, were not uncommon in the day. It was the untrammeled expression of longing for the unattainable which made it controversial, and also a model for other novels and works.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The short epistolary novel, &amp;#039;&amp;#039;Die Leiden des jungen Werther&amp;#039;&amp;#039;, or &amp;#039;&amp;#039;The Sorrows of Young Werther&amp;#039;&amp;#039;, published in 1774 recounts an unhappy love affair that ends in suicide. Goethe admitted that he &amp;quot;shot his hero to save himself&amp;quot;. The novel remains in print in dozens of languages and is referenced frequently in the context of the young disaffected and moody hero &amp;amp;mdash; a Romeo figure. However, the form of the novel, and the ending in death, were not uncommon in the day. It was the untrammeled expression of longing for the unattainable which made it controversial, and also a model for other novels and works.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The next work, his epic poem &#039;&#039;Faust&#039;&#039;, was to be completed in stages, and only published in its entirety after Goethe&#039;s death. The first part was published in 1808 and created a sensation. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Faust became the ur-myth of many figures in the 19th century. The basic plot of &quot;selling one&#039;s soul to the devil&quot; for power over the physical world took on increasing importance and became a metaphor for the victory of technology and industrialism and its human cost. Goethe&#039;s poetic work served as a model for an entire movement in German poetry termed &#039;&#039;Innerlichkeit&#039;&#039; (introversion). Goethe&#039;s words inspired a number of compositions by, among others, Mozart, Beethoven, Schubert and Wolf.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The next work, his epic poem &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Faust&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&#039;&#039;, was to be completed in stages, and only published in its entirety after Goethe&#039;s death. The first part was published in 1808 and created a sensation. Faust became the ur-myth of many figures in the 19th century. The basic plot of &quot;selling one&#039;s soul to the devil&quot; for power over the physical world took on increasing importance and became a metaphor for the victory of technology and industrialism and its human cost. Goethe&#039;s poetic work served as a model for an entire movement in German poetry termed &#039;&#039;Innerlichkeit&#039;&#039; (introversion). Goethe&#039;s words inspired a number of compositions by, among others, Mozart, Beethoven, Schubert and Wolf.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Goethe&amp;#039;s influence was dramatic because he understood that there was a transition in European sensibilities, an increasing focus on sense, on the indescribeable and the emotional. This is not to say that he was emotionalist or excessive; quite the contrary: he preached restraint and felt that excess was a disease. &amp;quot;There is nothing worse than imagination without taste.&amp;quot; He argued that law developed out of the depth of a people&amp;#039;s culture and their connectedness to the land they live on, and therefore rational laws could not be imposed effectively from above: an interpretation that placed him in direct opposition to those who attempted to form &amp;quot;enlightened&amp;quot; monarchies based on &amp;quot;rational&amp;quot; laws, for example Joseph II of Austria or, later, Napoleon as emperor of France.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Goethe&amp;#039;s influence was dramatic because he understood that there was a transition in European sensibilities, an increasing focus on sense, on the indescribeable and the emotional. This is not to say that he was emotionalist or excessive; quite the contrary: he preached restraint and felt that excess was a disease. &amp;quot;There is nothing worse than imagination without taste.&amp;quot; He argued that law developed out of the depth of a people&amp;#039;s culture and their connectedness to the land they live on, and therefore rational laws could not be imposed effectively from above: an interpretation that placed him in direct opposition to those who attempted to form &amp;quot;enlightened&amp;quot; monarchies based on &amp;quot;rational&amp;quot; laws, for example Joseph II of Austria or, later, Napoleon as emperor of France.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This change would, in time, become the basis for 19th century thought—organic rather than geometrical, evolving rather than created, and based on sensibility and intuition, rather than on imposed order. This makes him, along with Adam Smith, Thomas Jefferson, Ludwig van Beethoven a figure in both worlds. On one hand, devoted to the sense of taste, order and finely crafted detail which is the hallmark of the artistic sense of the Age of Reason and the neo-classical period of architecture, and on the other, seeking a personal, intuitive and personalized form of expression and polity, and believing firmly in self-regulating and organic systems. Philosophers such as Ralph Waldo Emerson would take up many of the same ideas in the 1800&#039;s. His ideas on evolution would frame the question which Darwin and Wallace would provide the answers to.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This change would, in time, become the basis for 19th century thought—organic rather than geometrical, evolving rather than created, and based on sensibility and intuition, rather than on imposed order. This makes him, along with Adam Smith, Thomas Jefferson, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and &lt;/ins&gt;Ludwig van Beethoven a figure in both worlds. On one hand, devoted to the sense of taste, order and finely crafted detail which is the hallmark of the artistic sense of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Age of Reason&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;and the neo-classical period of architecture, and on the other, seeking a personal, intuitive and personalized form of expression and polity, and believing firmly in self-regulating and organic systems. Philosophers such as &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Ralph Waldo Emerson&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;would take up many of the same ideas in the 1800&#039;s. His ideas on evolution would frame the question which &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Darwin&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;and Wallace would provide the answers to.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Quotes==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Quotes==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;quot;You must be either the master or the servant, the hammer or the anvil.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;quot;You must be either the master or the servant, the hammer or the anvil.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;quot;Know thyself? If I knew myself, I&amp;#039;d run away.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;quot;Know thyself? If I knew myself, I&amp;#039;d run away.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Thiebes</name></author>
	</entry>
	<entry>
		<id>https://thelemapedia.org/index.php?title=Wolfgang_von_Goethe&amp;diff=3111&amp;oldid=prev</id>
		<title>Ash at 01:16, 23 September 2004</title>
		<link rel="alternate" type="text/html" href="https://thelemapedia.org/index.php?title=Wolfgang_von_Goethe&amp;diff=3111&amp;oldid=prev"/>
		<updated>2004-09-23T01:16:00Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Johann Wolfgang von Goethe&amp;#039;&amp;#039;&amp;#039; (pronounced [&amp;#039;gø&amp;amp;nbsp;t&amp;amp;#601;]) (August 28, 1749–March 22, 1832) was a German writer, humanist, scientist, and philosopher. As a writer, Goethe was one of the paramount figures of German literature and European Romanticism during and around the 18th and 19th century.  Goethe was the author of  &amp;#039;&amp;#039;Faust&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Theory of Colors&amp;#039;&amp;#039;. &lt;br /&gt;
&lt;br /&gt;
==His life==&lt;br /&gt;
&lt;br /&gt;
Goethe was born in Frankfurt am Main, Germany. His father was a man of means and position, and he personally supervised the early education of his son. The young Goethe studied at the universities of Leipzig and Strasbourg, and in 1772 entered upon the practice of law at Wetzlar. At the invitation of Karl August, Duke of Saxe-Weimar, he went in 1775 to live in Weimar, where he held a succession of political offices, becoming the Duke&amp;#039;s chief adviser. From 1786 to 1788 he traveled in Italy, and directed the ducal theater at Weimar. He took part in the wars against France, and in the following began a friendship with Friedrich Schiller, which lasted till the latter&amp;#039;s death in 1805. In 1806 he married Christiane Vulpius. From about 1794 he devoted himself chiefly to literature, and after a life of extraordinary productiveness died in Weimar. &lt;br /&gt;
&lt;br /&gt;
== Historical Importance ==&lt;br /&gt;
&lt;br /&gt;
It is difficult to overstate the importance of Goethe on the 19th century in this era. In many respects, he was the originator of—or at least the first to cogently express—many ideas which would, in time, become familiar. Goethe produced volumes of poetry, essays, criticism, and scientific work, including a theory of optics and early work on evolution and linguistics. He was fascinated by minerals and early mineralogy (the mineral goethite is named for him). As a philosopher and writer he is one of the key figures in the transition from the Enlightenment to Romanticism. &lt;br /&gt;
&lt;br /&gt;
The following list of key works may give a sense of the scope of the impact his work had on his and our time. &lt;br /&gt;
&lt;br /&gt;
The short epistolary novel, &amp;#039;&amp;#039;Die Leiden des jungen Werther&amp;#039;&amp;#039;, or &amp;#039;&amp;#039;The Sorrows of Young Werther&amp;#039;&amp;#039;, published in 1774 recounts an unhappy love affair that ends in suicide. Goethe admitted that he &amp;quot;shot his hero to save himself&amp;quot;. The novel remains in print in dozens of languages and is referenced frequently in the context of the young disaffected and moody hero &amp;amp;mdash; a Romeo figure. However, the form of the novel, and the ending in death, were not uncommon in the day. It was the untrammeled expression of longing for the unattainable which made it controversial, and also a model for other novels and works.  &lt;br /&gt;
&lt;br /&gt;
The next work, his epic poem &amp;#039;&amp;#039;Faust&amp;#039;&amp;#039;, was to be completed in stages, and only published in its entirety after Goethe&amp;#039;s death. The first part was published in 1808 and created a sensation.  Faust became the ur-myth of many figures in the 19th century. The basic plot of &amp;quot;selling one&amp;#039;s soul to the devil&amp;quot; for power over the physical world took on increasing importance and became a metaphor for the victory of technology and industrialism and its human cost. Goethe&amp;#039;s poetic work served as a model for an entire movement in German poetry termed &amp;#039;&amp;#039;Innerlichkeit&amp;#039;&amp;#039; (introversion). Goethe&amp;#039;s words inspired a number of compositions by, among others, Mozart, Beethoven, Schubert and Wolf. &lt;br /&gt;
&lt;br /&gt;
Goethe&amp;#039;s influence was dramatic because he understood that there was a transition in European sensibilities, an increasing focus on sense, on the indescribeable and the emotional. This is not to say that he was emotionalist or excessive; quite the contrary: he preached restraint and felt that excess was a disease. &amp;quot;There is nothing worse than imagination without taste.&amp;quot; He argued that law developed out of the depth of a people&amp;#039;s culture and their connectedness to the land they live on, and therefore rational laws could not be imposed effectively from above: an interpretation that placed him in direct opposition to those who attempted to form &amp;quot;enlightened&amp;quot; monarchies based on &amp;quot;rational&amp;quot; laws, for example Joseph II of Austria or, later, Napoleon as emperor of France.&lt;br /&gt;
&lt;br /&gt;
This change would, in time, become the basis for 19th century thought—organic rather than geometrical, evolving rather than created, and based on sensibility and intuition, rather than on imposed order. This makes him, along with Adam Smith, Thomas Jefferson, Ludwig van Beethoven a figure in both worlds. On one hand, devoted to the sense of taste, order and finely crafted detail which is the hallmark of the artistic sense of the Age of Reason and the neo-classical period of architecture, and on the other, seeking a personal, intuitive and personalized form of expression and polity, and believing firmly in self-regulating and organic systems. Philosophers such as Ralph Waldo Emerson would take up many of the same ideas in the 1800&amp;#039;s. His ideas on evolution would frame the question which Darwin and Wallace would provide the answers to.&lt;br /&gt;
&lt;br /&gt;
==Quotes==&lt;br /&gt;
&lt;br /&gt;
*&amp;quot;You must be either the master or the servant, the hammer or the anvil.&amp;quot;&lt;br /&gt;
*&amp;quot;Know thyself? If I knew myself, I&amp;#039;d run away.&amp;quot;&lt;br /&gt;
*&amp;quot;When ideas fail, words come in very handy.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
*[http://www.hermetic.com/sabazius/goethe.htm (Johann) Wolfgang von Goethe] in the Invisible Basilica of Sabazius&lt;br /&gt;
*[http://www.weimar-klassik.de/english.html Weimar Classics Foundation] (includes the National Goethe Museum and the Goethe and Schiller Archive) &lt;br /&gt;
*Project Gutenberg e-texts of [http://www.gutenberg.net/cgi-bin/search/t9.cgi?author=Goethe some of Johann Wolfgang von Goethe&amp;#039;s works] (English translations and German originals)    &lt;br /&gt;
*[http://projekt.gutenberg.de/autoren/goethe.htm Johann Wolfgang von Goethe&amp;#039;s works] at Projekt Gutenberg-DE (in German)    &lt;br /&gt;
*[http://www.kfki.hu/~arthp/art/t/tischbei/goethe.jpg Goethe in Italy (picture)]   &lt;br /&gt;
*[http://www.centrebouddhisteparis.org/En_Anglais/Sangharakshita_en_anglais/Giving_style_to_one_s_characte/giving_style_to_one_s_characte.html] Goethe and giving style to one&amp;#039;s character. &lt;br /&gt;
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==References==&lt;br /&gt;
*This article was originally taken from: Wikipedia. (2004). &amp;#039;&amp;#039;[http://en.wikipedia.org/wiki/Johann_Wolfgang_von_Goethe Johann Wolfgang von Goethe]&amp;#039;&amp;#039;. Retrieved Sept. 21, 2004.&lt;br /&gt;
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[[Category:The Gnostic Saints]]&lt;/div&gt;</summary>
		<author><name>Ash</name></author>
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